《我.我們》第二部曲|Tiaen Tiamen Episode 2

《我.我們》第二部曲|Tiaen Tiamen Episode 2

《我.我們》第二部曲|Tiaen Tiamen Episode 2

共同委託製作: 國家兩廳院、臺中國家歌劇院、臺東縣政府
表演團體:布拉瑞揚舞團

演出日期:2025.04.18 - 04.20, 2025.03.28 - 03.30

演出地點:國家兩廳院 國家戲劇院、臺中國家歌劇院 中劇場

編舞|布拉瑞揚.帕格勒法

音樂統籌|ABAO 阿爆(阿仍仍)

編曲、混音|溫娜

編曲|黃少雍

混音|溫娜

取樣採集聲響設計|林志龍

音場設計|劉詩偉

吟唱人聲|Kivi

圖繪設計|Reretan Pavavalijung

舞臺設計|王孟超

燈光設計|莊知恆

影像設計|徐逸君

服裝設計|林秉豪

共同委託製作: 國家兩廳院、臺中國家歌劇院、臺東縣政府
表演團體:布拉瑞揚舞團

演出日期:2025.04.18 - 04.20, 2025.03.28 - 03.30

演出地點:國家兩廳院 國家戲劇院、臺中國家歌劇院 中劇場

編舞|布拉瑞揚.帕格勒法

音樂統籌|ABAO 阿爆(阿仍仍)

編曲、混音|溫娜

編曲|黃少雍

混音|溫娜

取樣採集聲響設計|林志龍

音場設計|劉詩偉

吟唱人聲|Kivi

圖繪設計|Reretan Pavavalijung

舞臺設計|王孟超

燈光設計|莊知恆

影像設計|徐逸君

服裝設計|林秉豪

爆裂之後,迎來時間的累積 探索,甜苦悲喜,一陣山風,長久地仰望

你的聲音,我的聲音交織疊合 眾人的目光聚合的那一刻——你會被認出


「當那個人出現,一切都會清晰。」在群體中,領導者往往不是自己跳出來往前衝刺,而是在安靜無聲中,被外在的複雜包圍,仍保有清楚的臉。 《我・我們》第二部曲,編舞家布拉瑞揚與眾人走過青春躁動,同心圓的下一階段,一個人的成長將不再聚焦自己,懂得感受與思考,眼裡有他人與環境——舞者既是尋路者,也是引路人,他們將挑戰過去未有嘗試的各種關係詮釋。


ABAO阿爆以音樂連接過去與未來,將斷裂補齊、拉緊,新的聲音有你有我;藝術家磊勒丹在舞臺上用圖繪暗喻人與人、與生命的連結,拉扯、互動或追逐,卻不會斷開。

爆裂之後,迎來時間的累積 探索,甜苦悲喜,一陣山風,長久地仰望

你的聲音,我的聲音交織疊合 眾人的目光聚合的那一刻——你會被認出


「當那個人出現,一切都會清晰。」在群體中,領導者往往不是自己跳出來往前衝刺,而是在安靜無聲中,被外在的複雜包圍,仍保有清楚的臉。 《我・我們》第二部曲,編舞家布拉瑞揚與眾人走過青春躁動,同心圓的下一階段,一個人的成長將不再聚焦自己,懂得感受與思考,眼裡有他人與環境——舞者既是尋路者,也是引路人,他們將挑戰過去未有嘗試的各種關係詮釋。


ABAO阿爆以音樂連接過去與未來,將斷裂補齊、拉緊,新的聲音有你有我;藝術家磊勒丹在舞臺上用圖繪暗喻人與人、與生命的連結,拉扯、互動或追逐,卻不會斷開。

爆裂之後,迎來時間的累積 探索,甜苦悲喜,一陣山風,長久地仰望

你的聲音,我的聲音交織疊合 眾人的目光聚合的那一刻——你會被認出


「當那個人出現,一切都會清晰。」在群體中,領導者往往不是自己跳出來往前衝刺,而是在安靜無聲中,被外在的複雜包圍,仍保有清楚的臉。 《我・我們》第二部曲,編舞家布拉瑞揚與眾人走過青春躁動,同心圓的下一階段,一個人的成長將不再聚焦自己,懂得感受與思考,眼裡有他人與環境——舞者既是尋路者,也是引路人,他們將挑戰過去未有嘗試的各種關係詮釋。


ABAO阿爆以音樂連接過去與未來,將斷裂補齊、拉緊,新的聲音有你有我;藝術家磊勒丹在舞臺上用圖繪暗喻人與人、與生命的連結,拉扯、互動或追逐,卻不會斷開。

爆裂之後,迎來時間的累積 探索,甜苦悲喜,一陣山風,長久地仰望

你的聲音,我的聲音交織疊合 眾人的目光聚合的那一刻——你會被認出


「當那個人出現,一切都會清晰。」在群體中,領導者往往不是自己跳出來往前衝刺,而是在安靜無聲中,被外在的複雜包圍,仍保有清楚的臉。 《我・我們》第二部曲,編舞家布拉瑞揚與眾人走過青春躁動,同心圓的下一階段,一個人的成長將不再聚焦自己,懂得感受與思考,眼裡有他人與環境——舞者既是尋路者,也是引路人,他們將挑戰過去未有嘗試的各種關係詮釋。


ABAO阿爆以音樂連接過去與未來,將斷裂補齊、拉緊,新的聲音有你有我;藝術家磊勒丹在舞臺上用圖繪暗喻人與人、與生命的連結,拉扯、互動或追逐,卻不會斷開。

Co-commission: National Theater & Concert Hall、National Taichung Theater、Taitung County Government

Company: Bulareyaung Dance Company

Choreography: Bulareyaung Pagarlava

Music Director: ABAO

Music Arrangers & Mixer: Wenna

Music Arrangers: Huang Shao-yong

Music Mixer: Wenna

Sampling Sound Design: Linz Lin

FOH: Liu Shih-Wei

Vocal: Kivi

Graphic Design: Reretan Pavavalijung

Stage Design: Austin Wang Mang-Chao

Lighting Design: Chuang Chih-Heng

Visual Design: Hsu Yi-Chun

Costume Design: Keith Lin Bing-Hao

Co-commission: National Theater & Concert Hall、National Taichung Theater、Taitung County Government

Company: Bulareyaung Dance Company

Choreography: Bulareyaung Pagarlava

Music Director: ABAO

Music Arrangers & Mixer: Wenna

Music Arrangers: Huang Shao-yong

Music Mixer: Wenna

Sampling Sound Design: Linz Lin

FOH: Liu Shih-Wei

Vocal: Kivi

Graphic Design: Reretan Pavavalijung

Stage Design: Austin Wang Mang-Chao

Lighting Design: Chuang Chih-Heng

Visual Design: Hsu Yi-Chun

Costume Design: Keith Lin Bing-Hao

fter the explosion, we welcome the accumulation of time. 

Exploring bittersweet moments, we gaze at the mountains as a gust of wind brushes across our faces. 


Your voice and my voice come together.

At that moment when all eyes are on the stage, you are recognized.


"When that person appears, everything is made clear." This is because, within a group, the leader is often not the one who jumps up and dashes forward. A true decision maker retains a clear head despite the complicated external relationships.


In tiaen tiamen Episode 2, choreographer Bulareyaung Pagarlava guides the audience through youthful restlessness. Growth implies no longer focusing on one’s self, but moving on to the next stage, to know how to feel and think, and to relate to others and the environment, probing the core of concentric circles. Dancers are both path seekers and guides. They challenge themselves through various interpretations of relationships.


Music director ABAO uses music to connect the past and the future. Music mends and tightens, resulting in a new sound that includes both you and me. Artist reretan pavavaljung provides blocks of color that serve as metaphors for one’s unbreakable connections with others and with life that include push and pull, interaction, and pursuit.

fter the explosion, we welcome the accumulation of time. 

Exploring bittersweet moments, we gaze at the mountains as a gust of wind brushes across our faces. 


Your voice and my voice come together.

At that moment when all eyes are on the stage, you are recognized.


"When that person appears, everything is made clear." This is because, within a group, the leader is often not the one who jumps up and dashes forward. A true decision maker retains a clear head despite the complicated external relationships.


In tiaen tiamen Episode 2, choreographer Bulareyaung Pagarlava guides the audience through youthful restlessness. Growth implies no longer focusing on one’s self, but moving on to the next stage, to know how to feel and think, and to relate to others and the environment, probing the core of concentric circles. Dancers are both path seekers and guides. They challenge themselves through various interpretations of relationships.


Music director ABAO uses music to connect the past and the future. Music mends and tightens, resulting in a new sound that includes both you and me. Artist reretan pavavaljung provides blocks of color that serve as metaphors for one’s unbreakable connections with others and with life that include push and pull, interaction, and pursuit.

fter the explosion, we welcome the accumulation of time. 

Exploring bittersweet moments, we gaze at the mountains as a gust of wind brushes across our faces. 


Your voice and my voice come together.

At that moment when all eyes are on the stage, you are recognized.


"When that person appears, everything is made clear." This is because, within a group, the leader is often not the one who jumps up and dashes forward. A true decision maker retains a clear head despite the complicated external relationships.


In tiaen tiamen Episode 2, choreographer Bulareyaung Pagarlava guides the audience through youthful restlessness. Growth implies no longer focusing on one’s self, but moving on to the next stage, to know how to feel and think, and to relate to others and the environment, probing the core of concentric circles. Dancers are both path seekers and guides. They challenge themselves through various interpretations of relationships.


Music director ABAO uses music to connect the past and the future. Music mends and tightens, resulting in a new sound that includes both you and me. Artist reretan pavavaljung provides blocks of color that serve as metaphors for one’s unbreakable connections with others and with life that include push and pull, interaction, and pursuit.

© 2014-2026 CHUANG Chih-Heng All rights reserved.

© 2014-2026 CHUANG Chih-Heng All rights reserved.

© 2014-2026 CHUANG Chih-Heng All rights reserved.