// Theater Lighting Design
// Theater Lighting Design
光年紀事：臺北 哥本哈根
光年紀事：臺北 哥本哈根
光年紀事：臺北 哥本哈根
Chronicle of Light Year: Taipei-Copenhagen
Chronicle of Light Year: Taipei-Copenhagen
主辦單位：狠劇場
演出日期：2018.08.11 - 08.19 (世界首演)
演出地點：國立臺北藝術大學 戲劇廳
製作人：吳季娟
導演 : 周東彥
表演者：魏雋展、Kasper Daugård Poulsen
4D Box和3D浮空投影技術發展：The Culture Yard、Mikael Fock
新媒體及互動設計：Carl Emil Carlsen
多媒體影像設計：孫于甯、黃偉軒、劉承杰、李宜璟、李國漢
燈光設計 : 莊知恆、李意舜
音樂創作：盧律銘
主辦單位：狠劇場
演出日期：2018.08.11 - 08.19 (世界首演)
演出地點：國立臺北藝術大學 戲劇廳
製作人：吳季娟
導演 : 周東彥
表演者：魏雋展、Kasper Daugård Poulsen
4D Box和3D浮空投影技術發展：The Culture Yard、Mikael Fock
新媒體及互動設計：Carl Emil Carlsen
多媒體影像設計：孫于甯、黃偉軒、劉承杰、李宜璟、李國漢
燈光設計 : 莊知恆、李意舜
音樂創作：盧律銘
《光年紀事》，運用自丹麥埃爾西諾文化庭院的4D Box浮空投影技術，在兩地創作者自2015年起的交流創作，歷經四階段的發展呈現，即將在2018年臺北藝術節世界首演。這次是周東彥及狠劇場/狠主流團隊，繼《空的記憶》、《我和我的午茶時光》後，又一次科技劇場的慢工細活。
而這回，周東彥想要貼近觀眾的身邊，訴說一則遊蕩於光年之外的故事：關於兩個擦身而過的時空旅人，迴游於彼此的夢境，探撈那些想要記住、卻將要遺忘的舊日。
《光年紀事》，運用自丹麥埃爾西諾文化庭院的4D Box浮空投影技術，在兩地創作者自2015年起的交流創作，歷經四階段的發展呈現，即將在2018年臺北藝術節世界首演。這次是周東彥及狠劇場/狠主流團隊，繼《空的記憶》、《我和我的午茶時光》後，又一次科技劇場的慢工細活。
而這回，周東彥想要貼近觀眾的身邊，訴說一則遊蕩於光年之外的故事：關於兩個擦身而過的時空旅人，迴游於彼此的夢境，探撈那些想要記住、卻將要遺忘的舊日。
《光年紀事》，運用自丹麥埃爾西諾文化庭院的4D Box浮空投影技術，在兩地創作者自2015年起的交流創作，歷經四階段的發展呈現，即將在2018年臺北藝術節世界首演。這次是周東彥及狠劇場/狠主流團隊，繼《空的記憶》、《我和我的午茶時光》後，又一次科技劇場的慢工細活。
而這回，周東彥想要貼近觀眾的身邊，訴說一則遊蕩於光年之外的故事：關於兩個擦身而過的時空旅人，迴游於彼此的夢境，探撈那些想要記住、卻將要遺忘的舊日。
《光年紀事》，運用自丹麥埃爾西諾文化庭院的4D Box浮空投影技術，在兩地創作者自2015年起的交流創作，歷經四階段的發展呈現，即將在2018年臺北藝術節世界首演。這次是周東彥及狠劇場/狠主流團隊，繼《空的記憶》、《我和我的午茶時光》後，又一次科技劇場的慢工細活。
而這回，周東彥想要貼近觀眾的身邊，訴說一則遊蕩於光年之外的故事：關於兩個擦身而過的時空旅人，迴游於彼此的夢境，探撈那些想要記住、卻將要遺忘的舊日。
Company: Very Theatre
Time: 2018.08.11 - 08.19 (World Premiere)
Venue: TNUA Experimental Theatre
Producer: WU Neo
Director: CHOU Tung-Yen
Performers: WEI Chun-Chan, Kasper Daugård POULSEN
4D Box and 3D Hologram Development: The Culture Yard & Mikael Fock
Visual Artist & Programmer: Carl Emil CARLSEN
Multi-Media Design: SUN Yu-Ning, HUANG Wei-Hsuan, LIOU Jie, LI Yi-Ching, LEE Kuo-Han
Lighting Designer: CHUANG Chih-Heng, LEE I-Shun
Composer: LU Luming
Company: Very Theatre
Time: 2018.08.11 - 08.19 (World Premiere)
Venue: TNUA Experimental Theatre
Producer: WU Neo
Director: CHOU Tung-Yen
Performers: WEI Chun-Chan, Kasper Daugård POULSEN
4D Box and 3D Hologram Development: The Culture Yard & Mikael Fock
Visual Artist & Programmer: Carl Emil CARLSEN
Multi-Media Design: SUN Yu-Ning, HUANG Wei-Hsuan, LIOU Jie, LI Yi-Ching, LEE Kuo-Han
Lighting Designer: CHUANG Chih-Heng, LEE I-Shun
Composer: LU Luming
“I came from Denmark, the cold, windy place far away where Andersen grew up.
I hate that place. It’s too fucking cute and comfortable!”
After his critically acclaimed technology performances (Empty Memories; Teatime with Me, Myself and I), CHOU, Tung-Yen and his team ventured further into the field this time in the Taiwan-Denmark co-production, Chronicle of Light Year: Taipei-Copenhagen. The collaboration began in 2015. After four stages of development and work-in-progress presentations, it will officially premiere in the 2018 Taipei Art Festival.
The award-winning artist at the World Stage Design (Gold in Interactive & New Media Design) brings the visual vocabulary in this new creation to another level with the 4D Box Hologram developed by the Culture Yard, Denmark. It is a story about two time travelers and their intimate memories light years away. They linger in each other’s dreams, trying to hold on to those moments from the past. Moments that they don’t want to let go, yet are dissolving in the deep sea of oblivion.
“I came from Denmark, the cold, windy place far away where Andersen grew up.
I hate that place. It’s too fucking cute and comfortable!”
After his critically acclaimed technology performances (Empty Memories; Teatime with Me, Myself and I), CHOU, Tung-Yen and his team ventured further into the field this time in the Taiwan-Denmark co-production, Chronicle of Light Year: Taipei-Copenhagen. The collaboration began in 2015. After four stages of development and work-in-progress presentations, it will officially premiere in the 2018 Taipei Art Festival.
The award-winning artist at the World Stage Design (Gold in Interactive & New Media Design) brings the visual vocabulary in this new creation to another level with the 4D Box Hologram developed by the Culture Yard, Denmark. It is a story about two time travelers and their intimate memories light years away. They linger in each other’s dreams, trying to hold on to those moments from the past. Moments that they don’t want to let go, yet are dissolving in the deep sea of oblivion.
“I came from Denmark, the cold, windy place far away where Andersen grew up.
I hate that place. It’s too fucking cute and comfortable!”
After his critically acclaimed technology performances (Empty Memories; Teatime with Me, Myself and I), CHOU, Tung-Yen and his team ventured further into the field this time in the Taiwan-Denmark co-production, Chronicle of Light Year: Taipei-Copenhagen. The collaboration began in 2015. After four stages of development and work-in-progress presentations, it will officially premiere in the 2018 Taipei Art Festival.
The award-winning artist at the World Stage Design (Gold in Interactive & New Media Design) brings the visual vocabulary in this new creation to another level with the 4D Box Hologram developed by the Culture Yard, Denmark. It is a story about two time travelers and their intimate memories light years away. They linger in each other’s dreams, trying to hold on to those moments from the past. Moments that they don’t want to let go, yet are dissolving in the deep sea of oblivion.
© 2014-2026 CHUANG Chih-Heng All rights reserved.
© 2014-2026 CHUANG Chih-Heng All rights reserved.
© 2014-2026 CHUANG Chih-Heng All rights reserved.