// Theater Lighting Design
// Theater Lighting Design
《Break&Break!無用之地》周書毅身體錄像展
《Break&Break!無用之地》周書毅身體錄像展
《Break&Break!無用之地》周書毅身體錄像展
《Break&Break!無用之地》周書毅身體錄像展 (獲第十七屆台新藝術獎 表演藝術獎)
展覽時間:2018.06.29 - .07.01
展場合作: 空場 Polymer
影像導演暨編舞:周書毅
影像設計:李國漢
音樂設計:王榆鈞
燈光設計:莊知恆
平面設計:陳文德
展演紀錄:呂威聯
《Break&Break!無用之地》周書毅身體錄像展
(獲第十七屆台新藝術獎 表演藝術獎)
展覽時間:2018.06.29 - .07.01
展場合作: 空場 Polymer
影像導演暨編舞:周書毅
影像設計:李國漢
音樂設計:王榆鈞
燈光設計:莊知恆
平面設計:陳文德
展演紀錄:呂威聯
「Break」為休息與打破、損壞之意,不同的意義存在微妙關連;「無用之地」的命名則意喻人在面對身體無用的狀態,以及土地在對抗財權後的破敗。2014至2017年間,藝術家在亞洲與兩岸各地新舊城市移動,從城市的中心到邊緣,以身體和有用或無用的當下地景對話,期間所拍攝的一百多段錄像,重組集結成作品與此地的對話語彙。「Break & Break ! 無用之地」首展地點選擇台北藝術聚落「空場」,與休息再生的廢棄空間撞擊對話。藝術家也隨環境和影像動態於現場演出舞蹈,帶領觀者從身體走入影像中的空間,感受身體與舞蹈語言的力量,在生活中的存在與對話時刻。
「Break」為休息與打破、損壞之意,不同的意義存在微妙關連;「無用之地」的命名則意喻人在面對身體無用的狀態,以及土地在對抗財權後的破敗。2014至2017年間,藝術家在亞洲與兩岸各地新舊城市移動,從城市的中心到邊緣,以身體和有用或無用的當下地景對話,期間所拍攝的一百多段錄像,重組集結成作品與此地的對話語彙。「Break & Break ! 無用之地」首展地點選擇台北藝術聚落「空場」,與休息再生的廢棄空間撞擊對話。藝術家也隨環境和影像動態於現場演出舞蹈,帶領觀者從身體走入影像中的空間,感受身體與舞蹈語言的力量,在生活中的存在與對話時刻。
「Break」為休息與打破、損壞之意,不同的意義存在微妙關連;「無用之地」的命名則意喻人在面對身體無用的狀態,以及土地在對抗財權後的破敗。2014至2017年間,藝術家在亞洲與兩岸各地新舊城市移動,從城市的中心到邊緣,以身體和有用或無用的當下地景對話,期間所拍攝的一百多段錄像,重組集結成作品與此地的對話語彙。「Break & Break ! 無用之地」首展地點選擇台北藝術聚落「空場」,與休息再生的廢棄空間撞擊對話。藝術家也隨環境和影像動態於現場演出舞蹈,帶領觀者從身體走入影像中的空間,感受身體與舞蹈語言的力量,在生活中的存在與對話時刻。
「Break」為休息與打破、損壞之意,不同的意義存在微妙關連;「無用之地」的命名則意喻人在面對身體無用的狀態,以及土地在對抗財權後的破敗。2014至2017年間,藝術家在亞洲與兩岸各地新舊城市移動,從城市的中心到邊緣,以身體和有用或無用的當下地景對話,期間所拍攝的一百多段錄像,重組集結成作品與此地的對話語彙。「Break & Break ! 無用之地」首展地點選擇台北藝術聚落「空場」,與休息再生的廢棄空間撞擊對話。藝術家也隨環境和影像動態於現場演出舞蹈,帶領觀者從身體走入影像中的空間,感受身體與舞蹈語言的力量,在生活中的存在與對話時刻。
Break & Break ! Chou Shu-Yi Dance Video Exhibition ( 17th Taishin Arts Award - Performing Arts Award)
Time: 2018.06.29 - .07.01
Co-Work Space: Polymer
Film Director & Choreographer: CHOU Shu-yi
Video Design: Max Lee
Sound Artist: WANG Yujun
Lighting Design: CHUANG Chih-heng
Graphic Design: Winder Chen
Video Recording: William Lu
Break & Break ! Chou Shu-Yi Dance Video Exhibition
(17th Taishin Arts Award - Performing Arts Award)
Time: 2018.06.29 - .07.01
Co-Work Space: Polymer
Film Director & Choreographer: CHOU Shu-yi
Video Design: Max Lee
Sound Artist: WANG Yujun
Lighting Design: CHUANG Chih-heng
Graphic Design: Winder Chen
Video Recording: William Lu
Break & Break! is Chou Su-Yi’s First dance video exhibition. The word "Break" carries the dual meanings of taking a rest and shattering or damaging, with a subtle connection existing between these different interpretations. The title "Useless Land" metaphorically represents the human state of physical uselessness, as well as the ruination of the land after struggling against the power of capital.
Between 2014 and 2017, the artist traveled through various old and new cities across Asia and both sides of the Strait. Moving from urban centers to the peripheries, he used his body to engage in dialogue with the present landscapes, whether useful or useless. More than a hundred video clips shot during this period were reassembled and compiled to form the artwork's vocabulary of dialogue with this space.
The premiere of Break & Break! Useless Land was chosen to be held at the Taipei art village "Polymer", sparking a dynamic and colliding dialogue with this abandoned space that is now resting and regenerating. The artist also performs live dances in response to the physical environment and the moving images, guiding the audience to transition from the physical body into the spatial dimensions within the videos. This allows viewers to experience the power of the body and dance language, as well as their presence and moments of dialogue in everyday life.
Break & Break! is Chou Su-Yi’s First dance video exhibition. The word "Break" carries the dual meanings of taking a rest and shattering or damaging, with a subtle connection existing between these different interpretations. The title "Useless Land" metaphorically represents the human state of physical uselessness, as well as the ruination of the land after struggling against the power of capital.
Between 2014 and 2017, the artist traveled through various old and new cities across Asia and both sides of the Strait. Moving from urban centers to the peripheries, he used his body to engage in dialogue with the present landscapes, whether useful or useless. More than a hundred video clips shot during this period were reassembled and compiled to form the artwork's vocabulary of dialogue with this space.
The premiere of Break & Break! Useless Land was chosen to be held at the Taipei art village "Polymer", sparking a dynamic and colliding dialogue with this abandoned space that is now resting and regenerating. The artist also performs live dances in response to the physical environment and the moving images, guiding the audience to transition from the physical body into the spatial dimensions within the videos. This allows viewers to experience the power of the body and dance language, as well as their presence and moments of dialogue in everyday life.
Break & Break! is Chou Su-Yi’s First dance video exhibition. The word "Break" carries the dual meanings of taking a rest and shattering or damaging, with a subtle connection existing between these different interpretations. The title "Useless Land" metaphorically represents the human state of physical uselessness, as well as the ruination of the land after struggling against the power of capital.
Between 2014 and 2017, the artist traveled through various old and new cities across Asia and both sides of the Strait. Moving from urban centers to the peripheries, he used his body to engage in dialogue with the present landscapes, whether useful or useless. More than a hundred video clips shot during this period were reassembled and compiled to form the artwork's vocabulary of dialogue with this space.
The premiere of Break & Break! Useless Land was chosen to be held at the Taipei art village "Polymer", sparking a dynamic and colliding dialogue with this abandoned space that is now resting and regenerating. The artist also performs live dances in response to the physical environment and the moving images, guiding the audience to transition from the physical body into the spatial dimensions within the videos. This allows viewers to experience the power of the body and dance language, as well as their presence and moments of dialogue in everyday life.
© 2014-2026 CHUANG Chih-Heng All rights reserved.







© 2014-2026 CHUANG Chih-Heng All rights reserved.
© 2014-2026 CHUANG Chih-Heng All rights reserved.